![]() As soon as you’re comfortable playing these shapes in rhythm, plug them into FIGURE 1’s 12-bar form. Use your fret-hand’s index finger on the root of each chord, your ring finger on the 5th and your pinkie on the 6th. F C Ive been fightin like a lion, looks like Im going to lose, G7 C Cause there aint nobody ever whipped the T.B. verse 4 C7 Ive been fightin like a lion, looks like Im going to lose. Played by boogie-woogie piano players and later appropriated by Robert Johnson, the shuffle pattern is in its most basic form a series of alternating 5ths and 6ths.įIGURE 2 outlines the I, IV and V chords as played in a shuffle. G7 C Got me worried so I cant even sleep at night. There are three basic approaches to blues rhythm guitar: shuffle patterns, single-note motifs and comping (straight-up chordal accompaniment). Each beat is divided into three parts (“one-and-uh, two-and-uh, three-and-uh,” etc.) rather than two (“one-and, two-and, three-and…”), so swing eighths are felt on the beat (1, 2, 3, etc.) and on the “uhs.” Technically speaking a shuffle has a triplet feel. One of the key rhythmic ingredients of the blues is the shuffle feel, which is most easily described as eighth notes played not straight but in a “long-short” manner. Minor blues also has a different turnaround-bVI7–V7-im7-V7 (in the key of Gm, that would be Eb7–D7–Gm7–D7)-which can be heard in B.B. In the minor variation of the 12-bar blues, minor 7th chords are substituted for the I7 and IV7 chords. In the remaining measures, an easy maneuver on the fourth string turns A to A6, then back again. In measures 3 and 4, the E chord is transformed into E6 and then E7 via small adjustments on the second string. ![]() Similarly, slide into the D in measure 2. The final bars of the 12-bar form constitute the turnaround, named as such because it sends you back to the beginning of the form for another chorus. Slide up into the long-form A chord on the downbeat of measure 1. Another typical substitution involves playing the IV7 chord in measures 1–2 and the I7 chord in measures 3–4. Just Like Tom Thumbs Blues chords Bob Dylan D C G 2x G When you're lost in the rain in Juarez, C G and it's Easter time too And your gravity fails, C G and negativity don't pull you throug. Subscribe to my YouTube Channel below if you are interested in fingerstyle guitar videos.There are variations within the form, the most common being the quick change, where the IV7 chord sits in for the I7 in measure 2. Pattern 2Ĭhanging the pattern of the high notes, while playing the same bass line.Īlthough this lesson is free, a PDF of the TABs is available for your convenience and to support this website.įor a traditional Travis Picking song with tablature see “Freight Train.” Pattern 1Īdding some high notes, while maintaining a steady rhythm on the bass. In most cases, you would keep your index finger on the G string (3rd string), your middle finger on the B string (2nd string) and your ring finger on the high E string (1st string). Chet Atkins used his index, middle, and ring, the way most players, myself included, do it today. Merle Travis used only his index finger to pluck the higher strings. We have an official 12 Bar Blues tab made by UG professional guitarists.Check out the tab ». 1 contributor total, last edit on May 16, 2016. Now that we’ve got the bass line down, we are ready to start adding the melody and the harmony. 776,667 views, added to favorites 9,168 times. ![]() When the notes are clean, you’ll be ready to raise the tempo. Play the exercise below until you are comfortable with it. Official, artist-approved version - the best guitar chord songs on the web. I have also seen guitarists play it with the flesh of the thumb while still managing to mute the bottom three strings. Just Like Tom Thumbs Blues guitar chords and lyrics, as performed by Bob Dylan. I play it using the flesh of my thumb without muting the strings. The most popular method is to use a thumb-pick while muting the strings with the palm of your hand. The Bass LineĪside from keeping a steady pattern, there are a few ways to play the bass line. Play with guitar, piano, ukulele, mandolin or banjo. B E F Chords for Linda Ronstadt-Just like Tom Thumbs Blues with Key, BPM, and easy-to-follow letter notes in sheet. It involves playing a bass pattern with the thumb while plucking the higher strings with the index, middle and ring fingers. ChordU Notes are transposable to any key & you can control tempo of the notes playback. Travis Picking is a fingerstyle guitar technique named after Merle Travis. I’ve included guitar tab and chord diagrams for the chords we will be using. The I or the tonic chord tells us the home key. They are by far the most important chords in this genre, with 8-, 12-, 16- and 24-bar long progressions built around them. This post features two Travis Picking patterns for beginner guitar players. Think of the I, IV, and V chords as the fodder that fuels most blues chord progressions.
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